Rainbow Chard


"To see it actually open, the petals letting go, is wonderful, and its night fragrance comes to you all at once like a breath. What make it open at night -- what does it open to? in the same progression as others close, moment by moment. Tell about night flowers."
![]() |
Drawing from a letter to John Robinson, 26 September 1943 |
"Perhaps they won't do anything unless you come up to say a magic word over them."Russell sets a scene of Welty chanting over his flowers and in her return letter she thanks him for the incantation that she is now trying in her garden. She asks him come south in the spring and of the sale she writes:
"I hope you got a tremendous sum -- and that it goes down on next year's income."
Have we mentioned lately that there is snow and ice? What to do? Stay inside and read about gardens. Caroline Zoob lived in Monk's House, the former home of Virginia and Leonard Woolf.

An experienced embroider, Zoob, made maps of the garden.
Photographer Caroline Arber was a frequent visitor to Monk's House. These modern images mixed with archival prints makes this a must have for students of Woolf and gardens.
Not to mention it is great way to spend a snowy Saturday.
Tuesday morning the wind chill was -20. Today it is 58. The weather needs psychiatric care, lithium or some such thing.
After setting up a perfectly reasonable cold house, the weather did it in. We were counting on cold weather, but not wildly frigid winds. Nor did we expect frozen pipes.
Better luck next time.
The good news, seed catalogues shipped much earlier this year.

Over at Cookbook Of The Day, we wrote about Welty’s one “cookbook” a limited edition recipe for White Fruitcake. Like many Southern women, Chestina cook amazing meals but never used a recipe, telling her daughter, "Any cook worth her salt would know, given a list of ingredients, what to do with them." So Welty never became a cook. Luckily, she did better under her mother’s tutelage as a gardener.
Unlike cooking, gardening can always use a strong back and extra pair of hands. Welty’s love of nature grew in her mother’s garden and the natural world of the South became a common feature in Welty’s work. But few people realized how much of her love of Southern flora and fauna was quite literally rooted in her back yard. In her second- floor bedroom at 1119 Pinehurst Street, Welty looked out of her window and gazed into her mother’s garden, seeing it grow with her reputation as a writer.
The relatively small garden, measuring in at roughly three-quarters of an acre, it bordered the Tudor-style house on the north, south and east sides. Like the English styled house, the garden took on the air of a cottage garden with trellises, boarders, and hedges dividing the garden into different areas. The garden held over 30 varieties of camellias, Miss Eudora’s particular favorite. The earliest of the camellias planted around 1926.
Gardens, however small, need a committed and driving force. When Chestina died, that driving force was gone. Welty continued to maintain the garden, becoming the chief gardener and delegating her self-proclaimed “yard-boy” status to another gardener. But Welty grew older and her garden help moved on and her mother’s garden became a tangled mess.
In 1994, noted garden restorer, Susan Haltom, sat down with the aging Welty who lamented, “I can't bear to look out the window and see what has become of my mother's garden.” Haltom planned to "fix up" the garden as a favor for an aging and beloved writer, but soon the project took on a life of its own. Welty had already made arrangements to deed the house to the state to become a literary museum. Haltom saw the garden as a vital extension of that museum. A way to tell the story of the time: a rising middle class, conservation, technology, women’s clubs, garden clubs, and civic beautification were becoming prevalent and this garden was a reflection of those changing times. The restoration focused on the garden’s peak, a period from 1925 to 1945. Haltom’s discussions with Welty began to uncover old borders with stone rubble. Day lilies from the 1920’s began to emerge into the sunlight as well as some of Welty’s beloved camellias. A rose garden, a favorite of Chestina's, was quickly carved out. Welty, an avid photographer once climbed to the roof for aerial shots of the garden. Haltom researched every plant from that period, nixing newer varieties. After Welty died, her niece, Mary Alice White, found Chestina's 1930s gardening journal. Like the consummate gardener that she was, Chestina had drawn the garden layout complete with plant names and locations.
Photographer Langdon Clay documented Haltom’s work. Jane Roy Brown conducted additional historical research. This magnificent collaboration is documented in One Writer’s Garden. On a visit to Jackson, Mississippi, one can now wander through one writer’s garden, smelling the camellias as Eudora Welty did for over 50 years.
Sometimes we just close our eyes and take a deep breath and ask ourselves, "Has Spring really sprung?"





Wilder Quarterly is definitely a keeper! And a giver. The biggest problem with Wilder Quarterly... the second you finish the first volume, you begin to linger longingly at the mailbox for the next installment. Be forewarned.

I just adore root vegetables. I have a green thumb when it comes to beets, turnips, carrots and onions.
My thumb is totally black when it comes to parsnips, one of my favorite vegetables. I am starting early, reading all the pertinit info so that perhaps next year, I will finally grow a parsnip or two. Till then, I’ll keep reading.
I spent part of the weekend roaming the garden. It is sad to see everything gone, so naturally, I begin to explore the next garden. I have a real fondness for landscape architects, especially the women who worked at the turn of the last century.
Marian Coffin was one of those women. She wrote:"I secretly cherished the idea of being a great artist in the future, but that dream seemed in no way possible ... I did not seem to posses a talent for music, writing painting, or sculpture."Undaunted in her quest for beauty, she signed up for a new course at MIT in called "Landscape Architecture." Marian Coffin had found her calling.
Actually, just the last two. This week my Rosmarinus officinalis 'Prostratus' or Prostrate Rosemary began to flower. It is just starting but I think it is lovely. And I love the idea of a plant being "prostrate." It sounds so unplantlike.
Djuna wandered outside to pose with the plant as she says she never gets to be in the blog. I told her I had antlers that were just her size and away she went!